paintings prints and stuff

Masquerade Roses contre jour, watercolour and coloured pencil sketch in 7x7 inch S&B sketchbook This was a challenge to myeself to do some blowsy roses, strongly backlit by the bright day outside, creating deep shadows on leaves and window frame (which I simplified to abstract geometric shapes).  Flowers aren't something I do very often.  They are climbing masquerade roses that I remember buying for £1.60 as a sickly little plant a few years back, that have now spread yards along a fence and flower and flower.  They start out yellow and gradually the red creeps in and takes over as the flowers open. The route I took was to play with the intense shadow, lost edges and brightly backlit elements.  Interestingly this week A&I magazine (July issue - in May !)  was about painting light, featuring a series of different painters.  One, Edward Seago whose main interest was the depiction of light, said that there were 2 ways of tackling bright light: ...

sunglasses and eye drops, backlit,  ink drawing in A4 S&B Zeta sketchbook I've been neglecting my blog lately.   A mixture of a Mount Everest of marking and paperwork to do : >( and having had laser eye surgery.............. and being able to see without glasses (except for reading small print).  : >)    Yay!!!!!! I liked the backlit arrangement of clutter relevant to the surgery on my desk after I'd used the eye drops and decided to draw it.  It started off with some Herbin Gris Nuage but it didn't go dark enough for the shadows so I added FW acrylic Paynes grey ink and touch of their white ink to regain some highlights ,,,, then a small touch of Tombow pen.  The stick I used was a handle from a broken paintbrush, sharpened with a pencil sharpener.   I think I prefer the freer marks of twigs but it worked very well.  There was of course also water and a paintbrush for creating washes of paler ink. There were ...

 Playing on the iphone, very fast coloured pencil sketch A quick sketch of my youngest grandson, constantly moving, playing with an iphone.  He disappeared to the play area of the cafe before I drew his arms.  Done with 2 brown coloured pencils  in a small Derwent journal.  (2 because he insisted on having the first one to do some drawing himself, so I had to find another). Drawing active children is so difficult! they just moved constantly.   The 2 below of my slightly older grandchildren were very messy!  I attempted to catch the huge brown eyes of elder grandson and the mop of fair hair my grandaughter was trying to see through to draw and the soft curls of the 2 boys. Below the oldest ones who were so wriggly and active that the drawings aren't successful - more practice needed obviously .... constantly looking up to talk to me, brushing her hair off her face, leaning forward to draw with hair entirely covering her face etc etc...

    Of Flowers.  Mixed media on canvas. The image below is a part of avariation on this canvas which you can read about here - each version exploits the mark making potential of the medium used.  The flower is purely imaginary and abstracted.  It's about flowers rather than being a flower.  I was asked to do a commission with abstracted flowers and this is a fragment ....   Fragment of a commisssion, using Derwent Inktense I can't show it yet.  All will be revealed later, when the website it and another image, are done for is up and running :>) now to look at paperwork : >(  and hopefully paint some more ....

Ragged feather in mixed media A ragged feather in a mix of watercolour, coloured pencil, Derwent tinted graphite pencils and biro. I can't show the work I've been busy with yet.   And paperwork and marking has been taking up a lot of time too.   So many plans and ideas and so little time and energy!

  Cat carving and cardoon by lamplight, coloured pencil in A3 moleskine Still looking at the items on the shelf above the tv but moving them around on paper, rearranging and looking at pattern and colour.  They aren't in the positions I've drawn them in at all and I've simply used the colour of the vase, though lightening it, not wanting the vase itself explained.  The same with the wheat and hearts patterns.  Warm light from the lamp and the cool lavender shades are observed so that the whole thing hangs together. Below are the earlier stages as it evolved.  I only have a rough idea of the final piece when doing this, unlike a traditional set up, where everything is where it will be in the image.   It evolves as I go.  Major elements like the cat carving, cardoon, blue of the vase and the honesty are decided immediately - they are the skeleton that everything hangs on.   Decisions about depth of tone, lost edges, patterns...

Study for a larger work, coloured pencil in A4 moleskine, honesty It's cold, very very windy and raining cats and dogs.   I'm lucky that we aren't affected by the terrible floods affecting large areas of the county but I still don't want to go out in it!  So I'm continuing to look at still life, a subject that I rarely do as a finished painting, preferring to do occasional studies of things that interest me and concentrating mainly on landscape. The items on the shelf over the tv, lit by a table lamp caught my eye - a vase of honesty, wheat stalks and a large cardoon head, a carved wooden cat, some carved abstract birds on a tree, the lamp and a bright pottery cat.  So .... how to make a different arrangement of them? playing with colour and pattern, not simply doing them ' as is ', which didn't interest me. Switching the lamp on gave wonderful colour contrasts, the shadows having a positive lavender colour and the highlights a warm amber.  Lig...