more cards for art and craft fair at Belgrave Hall


cards, copyright Vivien Blackburn

The art and craft fair looks as though it will be fantastic. I've had details of exhibitors and they include Glass creations - fused glass jewellery,dishes and stuff, other jewellery, Chutney and preserves, willow weaving, Farm foods, Garden Sculpture, embroidery, ceramics, textile art, felt work, photography, bags and scarves and the three of us with paintings and cards.


so ..... anyone who will be anywhere near Leicester on Sunday (18th November) do pop in and take a look. It's at Belgrave Hall on Loughborough Road, a lovely Georgian House museum with walled gardens, it's free and is open 11-4



We've been down to see my daughter and gorgeous grandson - so blame him for my absence over the last few days. :) 11 weeks old and loving all the fuss and attention :)


.

Comments

Anita Davies said…
Beautiful cards Vivien.
OMG...11 weeks already????...Where did that go?
He is adorable!
10:24 pm
jafabrit said…
I am afraid your cards are just no comparison to the masterpiece your daughter created. You grandson is a darling :)
12:41 am
vivien said…
I don't know where the time went!


I think he's adorable too :) and jafa - yes no comparison!
2:33 pm
Lynda Lehmann said…
Late congrats on the arrival your adorable grandson! I have't had that adventure yet, of becoming a grandparent. I bet it's as exciting as doing art. (just kidding--I'm sure the arrival of a grandchild tops everything...)

Enjoy him!
6:03 pm
vivien said…
thanks Lynda :)

it's a very new experience but it's fun :) especially handing him back when he's crying or his nappy (diaper) needs changing!
6:22 pm
Post a Comment

Popular posts from this blog

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, with some of the taller dried grasses showing
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter
Read more