Saturday, August 23, 2014

Dagi Pen Review: sketches using a Dagi pen with Sketch Book App on an ipad


A new 25mm brush drawn  with a Dagi pen, using the Sketch club app on an ipad

When these kind of pens for digital tablets came out they were very very expensive and I didn't feel I could justify one.   The Dagi pen has come down to an affordable, justifiable price now  and I've been playing, seeing how good it is.  Mine is a pretty frosted green :>)  It's good!  I don't know how robust it will be, time will tell.

 The plastic disc is there presumably to protect the screen, it comes with a few spares,  obviously it is easily damaged.  The fine point means precise placement.


The images shown were all drawn in this app on the ipad

For accuracy in placement of the tip of the pen when drawing on the tablet, it feels just like normal pen/pencils - you can see precisely where you are placing the tip, unlike the normal rubber tipped stylus.

The paintbrush was drawn on a single layer, flipping between pen and brush and several shades of grey.

The bottle of gum arabic below was drawn on one layer in pen, then the brush was used on the layer below to add the washes.  Multiply was selected on the pen layer so that the washes come through. 



Then I experimented further, using multiply on this layer and going to the layer below to add washes of colour with a brush tool in the app.  So, the colour shines through.   It's rather like using glazes with paint but with the ability to add them beneath as well as above current work.




And a tea cup below - again using layers and multiply to add colour below a drawing, in which I hadn't originally planned to use colour (so too much pen). 


Adding washes on a different layer means that if I don't like it, I can simply delete the layer, preserving the drawing.  Line also comes through cleanly and isn't smudged or altered by the washes - sometimes that's good, sometimes not.  In the teacup it would have been better done on the same layer I think but it was only an experiment - not fine art :>)  It was the first drawing I tried with this stylus, so feeling my way.


A previous sketch with a normal rubbery tipped stylus - of one of the rubbery tipped styluses (stylii?):


 So, it's perfectly possible to draw without investing in one of these - but placement of the tip is less accurate and the Dagi feels so much more 'real' in its response and use. 

Incidentally as I said previously - I really like the text option, that allows you to draw with text (Sketch Club App)  - speeding up and slowing down alters the size of the text as you draw.  More here and here.

OK back to analogue :>)   I have lots of  'real' paintings on the go or in my head so I need to get back to paint - coast, flowers and mixed media collage all bubbling in the brain and partially on the paper.

Tuesday, August 19, 2014

Flower abstract: watercolour and mixed media



 Abstract flower, A3 on Khadi paper with watercolour and mixed media

Untitled as yet - any ideas?

I went to an artist's talk last week and she demonstrated how she did her large scale flower paintings.  A good talk but  I wasn't keen on her methods or results - too methodical and literal for me, involving tracing photographs and carefully colouring in between the lines with layers of the same colour - but it did make me feel like doing another abstracted flower painting and just playing with colour.  So instead of working on the seascapes, I did this.  It's still subject to change!  there may be updates.

Possible crop?



It's based loosely on a slightly smaller pastel I did some years back.   That was loosely based on some beautiful bearded iris in the garden of a house in France we'd stayed in.

The A3 Khadi paper I used is very absorbent and the paint sinks into it.  It also has a strong woven sort of texture.  The jury is still out - I'm not sure if it's one I'd buy again.  It's heavy and doesn't buckle, a strong plus point.  I'm afraid I never stretch watercolour paper so that's important to me.   The paint does really sink into it though, which for some paintings isn't what I want.

I used watercolour with touches of Caran d'Ache Neocolour II and a little gouache and coloured pencil.  The Caran d'Ache were mostly used dry to draw the opaque lines over paint layers, occasionally edges were softened with water..

So ... to crop or not to crop?  Title?   feedback welcomed!


detail



Saturday, August 16, 2014

Revisiting an area in changing light: studies of the cliffs near Hells Mouth in watercolour and mixed media


2 studies from the clifftop between Hells Mouth and Portreath in different light, watercolour/mixed media in S&B Delta sketchbook

I do love the changing light and the different colours and moods.   I could paint along here again and again through the seasons and each image would be different.   Flowers, sea colour, skies always new.

There was a massive cliff fall at Hells Mouth that I didn't know about until I got home - thankfully!   Video here - do watch, it gives an idea of the scale and drama. 

I ended up mostly using my watercolours on this trip for some reason, though I had taken oils and used them  a little.  I made the decision early on to mainly work in the S&B sketchbook and fill it, which I did :>)  rather than try to complete larger works in changing light.   I can work from these sketches at home to produce the larger works, with time to consider format/medium etc at leisure.

Already I'm considering lengthening the format - putting the above sketch through the Etchings app and then adding sketchy continuation to it as an idea for development.


It could be extended on the left as well for a long landscape format.

Decisions, decisions .....

what do you think?

Sunday, August 10, 2014

St Ives sketch, watercolour and mixed media

St Ives.  An illustrational one as a workout for a commission.

I need to do a large one of this beach for my daughter - a very overdue Christmas present!

Keeping track of those buildings and trying to distort it a little to make it wrap around was not the simplest!  The big version won't be identical as it will evolve a life of its own though it will be similar - but she wants the family on the beach 'recognisable and flattering of all of them', while showing all the buildings etc .....!!!  No pressure then.

This is small, in the S&B Delta sketchbook, A5.  On this latest trip to Cornwall I used watercolours, pencil, coloured pencils, oil paint, ink, conte, gouache and more on various pages.   It works with them all :>)