paintings prints and stuff

A3 Khadi paper, watercolour, charcoal and ink, variations on a theme I've done a series of variations on this theme from the same original objects. Using sketches done from life I've then simplified, moved things around on the paper, played with patterns and in different media, rather like the way musicians plays with a theme, creating variations and counterpoint. I'm exploring the ways that still life can interest me as I don't find doing conventional set ups do. This one started with tinted watercolour washes, in a variety of greys that I mixed, developed with charcoal and white and paynes grey acrylic inks, with a little white oil pastel.  It's fun to work within a limited colour range like this. The Khadi paper is interesting to work on.  It's pure rag, heavy and quite absorbent so the paint doesn't sit on the surface as with some papers.  The paper is curling in the photo as it was still damp but it is actually square straight edged.   A...

Charlie's Ark, on a full size sheet of watercolour paper using a mix of Derwent Artbars, Caran d'Ache Neocolor II, Inktense and Derwent watercolour pencils, with a little pen and ink. Another Christmas present virtually finished.    (Thank you to Picasso for that dove)  :>)  Some last bits to tweak maybe but almost done.

This is somewhere I've sketched before as part of the waterways/Leicestershire project. It's an old packhorse bridge over flood meadows where the river Biam meets the river Soar. It used to be 200 yards long but only 50 survive. A lot was demolished when the canal and railway were built through the site. The buttresses sticking out are cut waters, protecting the bridge from the pressure of floods, keeping it standing for 600 years. Nearby is a field still showing the ridges of medieval strip farming, the canal and a railway track that is now a path for strollers and cyclists. It makes a route that cuts right across the city, joining with the canal towpath, through these meadows, industrial areas, through parks, the backs of houses, by my old university, finally reaching water meadows on the other side of town. This started with watercolour and continued with ballpoint pen, art bars, graphitints and gouache ... The kitchen sink may be in there somewhere.  Watercolour a...

Cardoon seedhead in Artbar, Gouache and Tinted Charcoal Pencil One of my students, Toni, had promised me some cardoon seedheads and this week brought a big bag of lovely toothy/fluffy/prickly specimens. This one had lost virtually all its scales.  They are so much fun to draw.  It ended up with nearly half the class deciding to have a go.  Cue much concentration and muttering. This was done in my Stillman and Birn Alpha sketchbook (A4), with a mix of Artbars , gouache and Tinted Charcoal penci ls. Mine never did much good in my garden and sadly died this year.  It had wonderful sky blue flowers but only managed one in its first year, two in its second and none this year.   It probably needed more sun and lighter soil.  I did manage to draw it though.  I think these have the purple flowers like the one below, perhaps I'll try planting some of the seeds. Old, more detailed sketches of similar seedheads in other drawing media: ...

Trying out Derwent's inktense, watercolour pencils, Graphitint, Graphitone, Artbars and more on their new watercolour paper pads Derwent Watercolour Paper Derwent have brought out some new watercolour paper pads , perfect for their water soluble pencils and crayons.   It's 140lb which is heavy enough for the amount of water I'd normally use with these - I wouldn't normally have huge wet washes. I tried out sketches of items from my sketching roll and various coloured pencils and crayons.  All worked really well, the surface was a delight to work on with colour flowing freely, with the potential to lose or keep marks as I wanted. Products used here were  Derwent watercolour pencils Derwent Inktense Derwent Graphitint Derwent Graphitone Derwent Artbars Derwent Aquatone Derwent Charcoal Pencil Rotring Art Pen ....  with sketches of their electric eraser, sharpener for pastels and waterbrush, just some of the things from my pencil roll ...

Rocks and sea in Stillman and Birn Gamma sketchbook, with Derwent Artbars and Neocolor II I decided to try some collage in the Gamma sketchbook today while the class were working - tearing up old demo sketches,   The rocks in this one started life as undergrowth and tree trunks.   Marks in trees, rivulets in wet sand and the cracks in rocks can be so similar in pattern - turn them round and the subject changes.  :>) The grass, sea, far headland and a few strokes of vegetation were added with a mix of Derwent Artbars and Neocolor II. This book has the 100lb ivory paper, which held up to the washes extremely well.   I do rather like ivory or cream paper - it has character.   How about you?

Pale, pearly morning, Derwent Artbars, Vivien Blackburn This one was an experiment with Derwent's new Artbars to produce a pale, high key image rather than the vivid colours of some  works shown earlier .   They were equally capable of catching the subtle light of an early morning when colours were pearly pale and delicate. There is a lovely range of pale colours, plus of course the deeper colours which, applied lightly and then washed, will give further variations of soft pale colour.  Some of this was done using quite wet washes, some deliberately leaving marks, some dry crayon drawn through damp washes, some fragments dropped into wet washes, some at the end used dry and left dry.  Whatever was going to make the marks I wanted. Further episodes of the series on essentials in painting and drawing to follow - I've been up to my eyes in family matters lately!

 detail from step by step Well ..... secret project is secret no more  : > ) Derwent Artbars Last summer I was asked to take part in testing Derwent's newest baby - Artbars , then in the lab under development.   They will be available in the next couple of weeks and are now on the Derwent website.   Rocks near Porthgwarra, Derwent Artbars, on A2 cartridge paper, Vivien Blackburn It was really interesting being involved in trying them out from the short-stumps-of-colour-and-varied-composition/shape etc at the beginning and following their progression.   I still have a little container of these stumps. In this one, that they commissioned after the initial testing, the only other medium used is a little white gouache for those areas where I didn't retain the white of the paper for the incoming waves.   In other places it is simply the white paper. In the one above,  I was wanting to build an intensity of col...