Paintings Prints and Stuff, a blog about painting, drawing, sketching, sketchbooks, works in progress, artists, exhibitions, art books, art classes, printmaking, digital imagery, techniques, art materials ........... and more!
Digital image, playing in photoshop: Winter woods
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Another digital image done at the same time as the previous one. I need to find out how to do solar plates as I'd love to do some prints from some of the digital work. Can prints be done without an etching press from solar prints? I wonder .....
You can make a relief version of a solar plate that can be printed like a lino cut. You don't use the half tone screen so solid areas are washed away completely once exposed.
wow, Vivien, I love this!! It has been years since I've had time to actually catch up with my online art friends, but now I do, so expect to see more of me! I'm a full-time artist now--a little scary but what a pleasure! Hope you are well. Looking forward to staying informed on your inspiring work!
Are you familiar with the pebeo line of paints? I used their setacolor paints once in a class about surface design for fabric. These will sun print if left out with a mask over the paint. I don;t know how -- or if -- they'd work on another substrate. (I hope I've understood properly what you mean by solar printing . . . I'm not very sophisticated about these things.)
I asked Dinahmow about this today (she's in NY for a few weeks, Ilive here) and she reminded me that I was confuse dsolar plate printing with cyanotype. The pebeo setacolor paints can have a cyanotype effect.
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Detail I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky. Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook. This paper is so forgiving and the watercolour works beautifully with it. It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes. Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come. The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show. If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks. Meet the Arttists day is Saturday 1st April 10-2. Come and have a chat with us?
Comments
me too
I think I may have to find the time and cash to rejoin the print workshop (a bit of a money pit :>( (
and thanks Ian - I need to look into that, it sounds perfect
do you by any chance have a link to something about the process?
-Melanie
I'd left your blog bookmarked and I was really pleased to see you blogging again - with some gorgeous work :>) I'll follow with interest
Congratulations on being a full time artist
Melanie I've heard of Pebeo but never used it. I really have to try to find time to research solar printing.
http://amandawatson-will.blogspot.com/2009/05/solar-powered-techniques-part-2.html
video
http://www.dickblick.com/products/solar-plate-printmaking-in-the-sun-dvd/
http://www.amazon.com/Solar-Plate-Printmaking-Sun-DVD/dp/B001PNDOQS
http://www.youtube.com/watch?v=mPKnEIH91OQ
difficulty of getting materials
http://www.sidneynolantrust.org.uk/Pros&Cons.htm
http://www.alternativephotography.com/wp/processes/photogravure/photo-intaglio-an-overview
supplies
http://www.lawrence.co.uk/acatalog/Solar_Plates.html
demo/how
http://www.nontoxicprint.com/solarplate.htm
what is ...
http://www.solarplate.com/what_is_solarplate.html
supplies/how
http://www.polymetaal.nl/siteUK/Linkdocs/Photopolymer/solarplate.htm
report on process
http://www.wetcanvas.com/forums/archive/index.php/t-294374.html
blog how to
http://elusivesprite.squarespace.com/phd_journal/tag/solar-plate
dickblick
http://www.dickblick.com/products/solarplate/