paintings prints and stuff

work in progres s   Penwith, on the Moor, Approaching Rain, Rembrant coloured pencils,  about 12 inches tall. I've been using my lovely prize Rembrandts to check them out.   I wouldn't normally use cp's alone to work on an image this size - I'd go into mixed media and use some watercolour to underpaint.   That's partly because I like to work fast and partly because I like the wider variety of marks you can make by mixing media. It's looking a bit too fairy tale at the moment, not yet rugged enough.  The foreground is obviously only just begun, lots more to do to that if I decide to finish it.   It may just stay an unfinished experiment in the sketchbook though.  There are more subtle veils of colour than the camera ever picks up :>(   - there are amber colours in the sky, soft and pale but echoing similar colours in the fields.  The camera picked up the pale pinks but not the amber.   It has made the clouds a...

Porthgwarra from the cliffs, Tide in, Watched by a Seal , oil paint, about 11 inches square, not quite finished , Vivien Blackburn A hazy, windy day, forecast rain stayed away, the tide in so no beach to be seen but a seal swimming out in the surf  kept popping up to look at us. I sat in a sheltered spot amongst the wildflowers on the cliff  - just the sounds of the sea and the occasional gull - heaven.  Even himself was quietly musing, no talking. It needs just a little work doing before I'll call it finished.  I often do just a little more when I get plein air works home - I'm looking at them as a painting then without distraction. details:  the sea seething on the rocks 3 corndered leeks, sea thrift and many other flowers around me I made it to Porthgwarra without incident this time - last time I ended up having to reverse for about half a mile because I met a HUGE oncoming tanker touching both hedges and totally filling the road, followed by a mas...

detail of the sketch below   A quick sketch on a very windy day with Rotring pen and watersoluble ink, with a little brush pen (waterproof ink) and a touch of gouache.  I do like watersoluble ink for those lovely washes.    The Crowns, Botallack, pen and ink sketch in Canson sketchbook.  Vivien Blackburn And turning 180 degrees this was the skyline, with another ruined mine engine house in the distance. This one was done in carbon pencil.

 Biro (ballpen) urban sketches in A4 sketchbook I've had a few sessions of waiting for family while they attend appointments.   Rather than be bored I've taken to sketching from the car while I wait - good practice for perspective even if not an exciting drawing in itself.   I think I'm going to keep this A4 wirebound sketchbook in the car for these times of boredom. and one I showed earlier, part of this series ...... more to follow.

I had a great surprise when I got home from work - this arrived in the post with a little note saying 'Congratulations   :) ' ?????  why?  what? I phoned the sender ... ......  I'd entered something in the Artists and Illustrators magazine and this was the second prize :>)  - what a surprise. They are oil based and will mix with my Polychromos = Now I'd better have a play with that luscious range of colours  ................

Detail scanned:  An Old Packhorse Bridge on the edge of Dartmoor.   Watercolour and mixed media, Vivien Blackburn This one was an experiment with some foam rollers I'd bought at the weekend, working from a plein air sketch I'd done.   Also an experiment with Bristol board  ( very smooth) as it's only the second time I've used it - the first was with oil paints in Cornwall. I swept the rollers over several colours that I wanted to appear in the trees and put them down with one line - it gave a wonderful speckled appearance  that I later adjusted with glazes.   I love these rollers! Then I used it to put background sweeps and areas of colour for the foliage, grasses and stonework, before working into them with brushes and watercolour, gouache, coloured pencil (a very little), oil pastel and charcoal pencil. They were extremely cheap and are going to become one of my favourite tools I think. I've often used much larger paint rollers wi...

David Tress exhibition at the John Davies Gallery , Moreton in Marsh I went to the Private View of this brilliant exhibition at the weekend and the painting above is the one that I would have loved to own.  The trees glow in a shaft of light, rain approaches and the colour, marks and light express the weather and mood of the day perfectly.   The reality is so much better than any tiny photograph can show.   Some lucky person bought it as I stood talking to him about his work - no red dot at the beginning of the conversation - big red dot a few minutes later.   His work was deservedly selling well. If you are anywhere near the Cotswolds be sure to go and have a look - the paintings are full of atmosphere, passion,. a sense of place and the marks, texture and collage elements are wonderfully free.   Pure drama :>) It's a lovely gallery with lots of space and shows the work of some very good artists, well worth repeat visits.