editing images: lost edges and contrast

Mawgan Porth, Moonrise, coloured pencil and gouache on a deep buff paper

Originally the cliff top showed more clearly against the dark clouds, paler.   It jarred, I didn't like it, so I sat down to create a lost edge - the cliff top edge barely visible against the dark cloud.  I like it better. This is another in that sketchbook with the deep buff paper - you can see it in places in this and the other images.

I also added  a little white gouache to enhance the gleam on the water, moved the moon (with the flick of my hand!), added a ring around the moon and I'm happier with it now..

The clouds haven't scanned well  - they are softer with more subtleties and changes of colour than is picked up here.   I think it's finished.

details:




Comments

It certainly looks finished to me.. The lost edges in the cliff and wet sand helps keep the velvety, mellow night time feel. I can feel the stillness.
vivien said…
That's what I was after :>) so I'm pleased, thanks Lisa
Jeanette Jobson said…
Definitely a good choice. Having the cliff melt into the darkness adds to the feel of the piece. Beautiful.

Popular posts from this blog

looking at non traditional composition and quiet vs busy areas in paintings

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

The Eye, Urban/Rural exhibition