Watercolour and mixed media, Sennen Cove in S&B Beta sketchbook

A sketch done from our holiday cottage in watercolour/mixed media in an A4 S&B sketchboo


We had wonderful views from the house, right left and front .... and even the steep hillside/cliff at the back had primroses and bluebells.

This is looking sideways when the tide is high, past a row of terraced cottages that climb up the steep track.  That's 'our' garden ..... for a week anyway!

I used watercolour with some pen and a few touches of coloured pencil - oh and a little FW white acrylic ink, a new favourite medium, used with a bamboo pen or brush.  It is really opaque and a clear clean white. so useful for surf etc when you've lost the white of the paper in places,   I work fastish, the painting evolves and I don't always retain all the lights so use this or white gouache to regain them. 

I like mixing media, choosing whatever will create the marks I want.  I'm trying to catch a spirit of place and have no interest at all in rules about 'pure' watercolour ;>D   Not keen on rules!  it's art not science :>)  How about you?

Comments

Post a Comment

Popular posts from this blog

current exhibition, paintings from Wales, Cornwall, Leicestershire, the Cotswolds and Yorkshire

Image
My work on the wall at the Atkins Gallery, Lower Bond Street Hinckley until Saturday 3rd December Work currently on show at the Atkins Gallery in Hinckley (car park opposite, next to the museum).  There are 16 pieces of mine plus the work of 5 friends. Oils, mixed media, pastels, charcoal, ink .... and more :) And the Leicester Society of Artists exhibition is on at the museum in New Walk until 3rd December as well (I have 3 in that) Plus 4 in Glenfield Gallery, Glenfield I've been busy!
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more

paint or sketch trees: challenge

Image
Close up of tree bark, Marqueyssac, France. photo: Vivien Blackburn Another challenge Rather than another update on the seascapes I've decided to run another challenge in response to feedback from the trees post. Feedback from people said they got a lot out of the skies challenge and I'm sure you will out of this one :>) click the image on the left to link to the original post on trees and you can check all posts with the tag 'trees' here The challenge is to produce sketches of trees done from life. These can be: close ups, extreme close ups, whole tree, part of tree, distant views - whatever you want. Style: anything goes - photorealism to impressionism but with underlying observation Medium: your choice, anything goes :>) oil paints, acrylics, watercolours, mixed media, charcoal, graphite, coloured pencils, pen, oil pastels, pastels, pastel pencils ....... etc etc etc Timescale: we'll finish at the end of July and I'll post links to your blogs t...
Read more