paintings prints and stuff

Carved wqoden cat in Crayola and Tombow pen in moleskine sketchbook A probable element in the next still life painting - it will be based on the things on the shelf above the tv. Done really fast with my grandson's Crayola pencils, some of which don't work very well on the waxy moleskine paper (but what's new!  so many things don't) and grey and black Tombow pen. I'm wondering if the finished painting might be done in Artbars and Caran d'Ache Neocolor II.   I think the ability to use  coloured line and wash might work with this and the other objects.  I'm also thinking it will need to be a full sheet of watercolour paper to weave the different things together in the way I want. Sketches to do and problems to solve ....

A3 Khadi paper, watercolour, charcoal and ink, variations on a theme I've done a series of variations on this theme from the same original objects. Using sketches done from life I've then simplified, moved things around on the paper, played with patterns and in different media, rather like the way musicians plays with a theme, creating variations and counterpoint. I'm exploring the ways that still life can interest me as I don't find doing conventional set ups do. This one started with tinted watercolour washes, in a variety of greys that I mixed, developed with charcoal and white and paynes grey acrylic inks, with a little white oil pastel.  It's fun to work within a limited colour range like this. The Khadi paper is interesting to work on.  It's pure rag, heavy and quite absorbent so the paint doesn't sit on the surface as with some papers.  The paper is curling in the photo as it was still damp but it is actually square straight edged.   A

Experimenting with still life - jazz in paint.  Watercolour and oil pastel I meet up with a group of friends, fellow painters, once a month and we critique each others work, talk about art, exhibitions. artists etc and put on exhibitions ourselves.  We all work very differently.   We decided to challenge ourselves to tackle a subject we rarely do - still life - and each find an angle on it that makes it interesting to us.  We've talked about doing a project on it for some time and decided to stop talking and start doing : >).  We all have to take an A3 painting to the next meeting.  This is mine so far. As usual, the photograph doesn't bring out some of the subtle colour changes : >( This is based on sketches I did a year or two ago- you can see some of them here , here , here and here . This one was done with watercolour on Khadi rag paper (A3) with some gold, copper,  orange and irridescent pale blue Sennelier oil pastel scribbles.   The paper is real

Sketches with a variety of pens, Rotring and Lamy fountain pens, a Tombow double ended brush pen, a Sharpie and a Parker ballpoint pen. In S&B Zeta A4 sketchbook, ideal for ink as it's smooth, heavy paper lets the pen flow. Examples are for a forthcoming class, showing some of the marks each pen can make, alone or with a water brush to create washes of tone with the water soluble inks.  I simply drew items from my pencil case. The last sketch, of scissors, uses a mix of fountain pen, Sharpie and Tombow. The grey Tombow giving varied washes of tone, the fountain pen with black ink for fine lines and the Sharpie for flat, even, intense black. These are the pens I keep in my pencil case.  The Rotring pen I bought many years ago nd I've never had any problems with it.  I'm giving the Lamy a second chance, the first one started off ok but the the ink just refused to flow no matter how much I cleaned it.  It did not impress me.  Friends like theirs s

Cartoon of my eldest daughter, her husband and 2very lively children, a Christmas present, pen and coloured pencil One that I couldn't show before Christmas.