sketchbook exchange - another update

monoprint and coloured pencil. in Casey's book for the FPP exchange, by Vivien

http://flyingpictures.wordpress.com/ - link to the exchange website


These are my additions to Casey's book - theme: Local Colour. It's safely arrived in France so I can post them here now :>)


The monoprints were done by painting onto acetate with turpsy oil paints and then using that to print onto paper. I then worked on them when dry with coloured pencil in some areas.

My husband and my father are both seriously ill - I won't go into detail but it is having a huge impact on the family so bear with me if postings are a bit erratic while we all come to terms with things.

.

Comments

dinahmow said…
Very sorry to hear of your worries, Vivien. Good vibes to your family.
Take care.
7:57 pm
vivien said…
thanks Dinah
9:39 pm
Brian McGurgan said…
Your contributions to Casey's book are really beautiful, Vivien. I love the patterns formed by the darks set so nicely against the delicate colors you've used. Casey is fortunate to get to see these in person and to keep them as well!

I'm so sorry to hear about your father and husband and am wishing all of you the very best.
1:03 am
annie said…
Your life seems heavy duty, right, now, Vivien, and I have written you an email. My best to you and your family
1:14 am
Making A Mark said…
Vivien - your life at the moment needs no more words from me...have a big hug instead!

What I do want to say though is how amazing these monoprints and CP pics are - and I'd love to see more - in fact I'd love to see a WIP when you've got the time and space.
6:14 am
Cathy Gatland said…
Best wishes and strength to you and yours, Vivien.
I love the monoprints, what an interesting technique!
8:45 am
Unknown said…
Sorry to hear that, health worries are not good, take care of you and yours - Chrissy
11:21 am
vivien said…
brian - thanks for the explanation - that's a technique I'll have to try it sounds like I'd like it.

and thank you all for the good wishes - we really need them just now
11:23 am
Laura Frankstone said…
Vivien, I'm so sorry to hear of the illness in your family. Please take care. I wish for a very speedy and complete recovery for your loved ones.
12:06 pm
my croft said…
my thoughts are with you and your family. In the midst of all the staying strong, do find some moments to break down. I speak from expereience -- it's good for you.

fondly,
Melanie
12:14 pm
vivien said…
I will

thank you

for one there isn't a recovery - it's just a case of how long?

for the other it's in the balance
2:21 pm
daviddrawsandpaints said…
Brilliant images and fascinating technique.

Best wishes
DAVID
6:09 pm
Julie said…
I'm going to try the monoprint technique, thanking you for blogging it.

I'm so sorry for the worry you have and hope for the best outcome where this is still a possibility. I wish you lots of strength and hope.
9:59 pm
vivien said…
thanks David and Julie :)

It is an interesting way of working and is great for freeing you up if that's what you want.
7:33 am
Chris Bellinger said…
Very sorry to hear both tou husband and Father being vey ill, I shall send you positive thoughts
Ihave jumped ship and you can find me at Wordpress
http://chrisbellinger.wordpress.com
7:07 pm
Gesa said…
Vivien, these are beautiful pieces, so rich. I am thinking of you and your family.
8:01 pm
vivien said…
Gesa and Chris thanks

I'll visit you at wordpress Chris
9:08 pm
Chris Bellinger said…
Vivien
I have dedicated todays post on my blog to you.chrisbellinger.wordpress.com
6:10 pm
vivien said…
thank you Chris you are very kind

- incidentally smiley faces done like :) this on wordpress turn out as winking ones - strange.

I'm going to read the Reiki link properly tomorrow.
9:37 pm
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more