NOT my work I'm afraid but a print I own, one of an edition of 6. It's a large linoprint about 18 inches tall by Sarah Kirby, a fellow member of the print workshop I used to attend. She's a really superb printmaker. This is above my TV and I never tire of it.
I think working on a larger scale is probably easier in lino as I find it isn't easy to get delicate lines on a small scale. Not so easy to get a good quality print without a press of course.
With lino the notion of 'notan' is important - the balance between dark and light and the counterchanges of light against dark and dark against light - I think this print shows this perfectly.
Do you like it?