still life exercise in coloured pencil in the largish moleskine folio sketchbook, unfinished
I did a still life set up with a friend today - not something I normally do. He'd set up this mix of fruits and a couple of glorious deep purple/burgundy onions. It isn't finished by a good way, it was just a sketchbook exercise, but you can see I enjoyed doing that onion and the time I spent on it by the lack of darks worked up to balance it elsewhere! I ran out of time to deepen them further. To make a balanced composition it really needs more darks - which shows even more clearly when it's turned to greyscale below .....
details below ..........
I like to use coloured pencils in a scribbly way, overlaying colours and building the subtle changes - for instance with yellows, sugar pink, magenta, burgundy, cadmium red, orange and I can't remember what else in the melon to try to catch the juicy glow of it.
If I were to finish it then I'd work on the 2 right hand pears to make them 3D, push the darks as necessary elsewhere, to balance that onion, work on the water and stems in the carafe that doesn't show up much but is at the back ... look at the lovely distortions in the water etc but I think I'd still leave the edges unfinished and let it spill out from the centre, raggedy edged and flowing with the white of the paper surrounding. (I'm not planning to do any more to it)
What do you think?
Comments
I think I'd like to do some more still life when I can Robyn - but maybe arrange my own objects and also take it further
My artichoke flower head is drying nicely and I want to bring in a couple of hydrangea heads to dry as well. I'm planning to draw them - fantastic intricate shapes :>)
The onion is the star of the show and of your interest. Perhaps a piece with just the onion could be interesting - all those colours in the purples...
If you want to see coloured pencils used well, check out Katherine Tyrrell, Gayle Mason and Nicole Caulfield - friends who are real experts.