Kurt Jackson the Cornish Crows


While I was in Cornwall I checked on what was on at the Lemon Street Gallery in Truro as they show some fantastic contemporary work by great artists - and :D there was a Kurt Jackson show on, The Cornish Crows or in the old Cornish language An Byrny Kernow - Kernow is the Cornish word for Corwall.

http://www.lemonstreetgallery.co.uk/kurt-jackson-cornish-crows.asp?ExhibitID=86 a link to the gallery website - it's worth bookmarking and visiting in person if you can.

The lively confusion of wheeling birds in the sketch above catches them fantastically - far better than a 'botanical illustration' type of bird painting every could.



There were several of these odd shaped pieces and they worked really well, floated within a frame.


there's a lively conversation going on in this one :) ..... it looks like an indignant wife asking what her husband has been up to with the bird on the left!




He catches light on water so well and the moody atmospher of low light or bad weather.





The trees near the coast develop this wonderful lean away from the prevailing winds and this dusk image is just gorgeous I think.



like musical notes :) I love the simplicity of it




'








This last one is an ancient carn - particularly to the south of the county there are lots of ancient stones and carns.

For me he catches the soul and spirit of a place in a way that photographs or photorealist work don't do. His work is on my shopping list for when I win the lottery - for which I very rarely buy a ticket!


Take a look at the Lemon Street Gallery website and see more if you like them - and there is a book you can look through and buy that goes with the show - guess who bought it!

Comments

Lindsay said…
I was hopeing you would reveiw the show!! Thanks for the wonderful images and the link.
4:19 pm
dinahmow said…
Ooh, lovely stuff! Jackson's crows took me back to the last time I was in Cornwall: a frosty October and the rooks were wheeling over the fields, just like that.
11:10 pm
vivien said…
yes, he catches the feeling of a place or time so beautifully :)
11:26 am
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more