Paintings Prints and Stuff, a blog about painting, drawing, sketching, sketchbooks, works in progress, artists, exhibitions, art books, art classes, printmaking, digital imagery, techniques, art materials ........... and more!
a couple of digital manipulations of the lino prints
Time is a bit short at the moment so I haven't had chance to get on with paintings - these are a couple of digital variations on the lino prints, playing with colours and time of day.
Tomorrow I'm off to the Private View of an exhbition in the Cotswolds of an artist new to me - so hopefully an interesting day.
I felt like having a go at another lino print yesterday and got the fish above cut. It's just a fun graphic one, stylised, no observation at all I'm afraid, unlike Jeanette, who is doing a series of gyotaku fishes. Though I did remember from wildlife programmes that fishes are often reddish underneath and silvery on top to camouflage themselves from predators.
Rather than leave the lino the oblong shape, I decided to cut around the fish. Lino scanned and the image cleaned up
This one is simply playing with transparent layers of colour
This one involved applying a gradient colour in a lower layer, erasing the white background and painting colours on a layer below the fish, allowing the colours to shine through.
I find that simple traditionally printed lino cuts don't suit my work so I'll use oil paint when I have time to experiment with printing this one. Then I'll be able to use a mix of colours.
I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky. Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief.
Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook. This paper is so forgiving and the watercolour works beautifully with it. It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes. Some of the hedge is paint, some tinted charcoal.
First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook
The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come. The spiky calligraphic marks of the hedge and the underlying form of the bank, with some of the taller dried grasses showing through, interested…
We've just hung a group show at the The Eye Project, Urban/Rural show. If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work.
Those large canvasses are 40 inches square.
There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone.
It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks. Meet the Arttists day is Saturday 1st April 10-2. Come and have a chat with us?