paintings prints and stuff

Frog Island Factories and Canal, Pitt pen and coloured pencil on brown wrapping paper, Vivien Blackburn (crop 1) I wanted to have another play with that brown wrapping paper sketchbook, so I worked from an old sketch that I'd done plein air. I'd decided to limit the colours to browns - using the lovely Lyra skintones selection, along with a brown Pitt pen. At the last minute I decided to add a little icy blue in the sky, canal and reflecting slightly on the corrugated roofs - the coldness works well against the warmer colours I feel. This is an area that is full of higgledy piggledy old factories and little overgrown branches off the canal to their old wharves - one is off under that cast iron bridge. Sadly it's ripe for development and further along there are new flats in place of the old mills. I don't suppose this quirky building has a long future. Frog Island Factories and Canal, Vivien Blackburn (crop 2) which crop works best do you think?

Hydrangea, coloured pencil on brown wrapping paper in A4 sketchbook, 6.5 x 5.5 inches,Vivien Blackburn A friend, Daryl, kindly sent me this interesting sketchbook with pages that are brown wrapping paper. I rather like this paper to draw on so I thought I'd do a series of pieces in different media to see how they work. It did quite well holding many layers of cp - the surface is fairly smooth and it worked much better than I expected. It's quite thin paper though, so wouldn't take a lot of rough handling. (Ignore the colour variations in the paper, that's my fault in the scanning/adjustment) Now I have to try it with paint and other drawing media - I'll post some of these when I do them. It's nice to work on a variety of papers, different colours, textures and weights. Sorry about the absence and scarcity of posts - work is a bit hectic at the moment with a project going on and me having to work extra hours. Things should calm down next week. I also ha

Sketches of Sam playing football - from photos, he moves far too fast for me to attempt sketching this from life without a lot more practice! Biro in Moleskine sketchbook I definitely need more practice. We had a family get together in Bourton on the Water , in the Cotswolds. A beautiful place but very very busy. The men and Sam played football on the Green by the stream and I got loads of great photos but the movement was too fast for me to try sketching from life. I need a lot more practice. These started off a bit cartoony as I was thinking about making him a book about the day and I'm not quite sure where they ended up! Sketching children isn't in my comfort zone and as I had 2 daughters, sketching little boys is a new area - clearly needing more practice.

Rocks between Sennen Cove and Lands End. Watercolour, biro and coloured pencil. 10x11 ins approx. Vivien Blackburn Jeanette has issued a challenge for people to paint/draw rocks. These are some-I-did-before plus a new one from today. I had to work from a photo for this new one as sadly I'm 320 miles away from Sennen Cove right now :>( The figure gives the scale of those massive rocks though and gives me vertigo as well! I couldn 't stand that close to the edge. To see the stages as a work in progress go here Why not join in and leave her a link to your rocks?

Trees, digital image, Vivien Blackburn A friend, Louise Sackett, has arranged an exhibition in November/December 2010, for a small group of us, in the gallery at Mission Trails Regional Park - there were over 100 applications and only 12 exhibition slots - and we were chosen :>) Taking part are: Louise Sackett , Nicole Caulfield , Gayle Mason , Katherine Tyrrell - and Vivien Blackburn . So in November/December 2010, if you are near San Diego and the Mission Trails Regional Park you will be able to see the Park's very first exhibition of artwork by an international group of artists - us :>) It should be a good and very varied exhibition. And Louise is a heroine as she's arranging frames in the US, to keep the costs down for Gayle, Katherine and I who have to ship from England. All that framing 8>O to do

Life Drawing with Channel 4. Willow Charcoal, Vivien Today I managed to catch the Life Drawing Class on Channel 4 - really interesting and hope they continue with the idea. These aren't the best drawings! very quick and unfinished as they were relatively short poses so it was essential to work fast. I like to work in tone and line, letting the background darkness define some of the edges and using the lost edges to unite figure and background. The model was a dancer - a little androgynous, muscular and compact, interesting to draw. The second pose was identical but seen from the back - even more unfinished! c&c? - I need to practise more I think :>) I hadn't done life drawing in a long long time and never from TV. There is a good site called ???Poser with male and female digital figures showing muscle structures from all sorts of viewpoints for those interested - ideal for those doing fantasy art. It's a Japanese site with quick and long poses. Annie has kindly rem

Blowsy Rose, mixed media, approx 11x9 ins, Vivien Blackburn I find work in coloured pencil very hard to photograph or scan. The subtle paler marks tend to look faded and the white paper glares a bit too much. I don't like to burnish as I like the marks left, though I realise that would solve the problem. I find that putting a folded paper tissue over the flashgun, if using flash, definitely helps with photographing any work. Often the results using this are better than I get with natural light. This one is a mixed media piece with some watercolour underpainting with cp over. This, I find easier to photograph and actually prefer to work this way. The top layer below shows the untouched photograph using flash, with next to it, the image adjusted in photoshop to match the original as closely as possible. The second row shows the natural light photograph and its adjusted image. The one in the top row is closer and has, in my opinion, made a better job of picking up the colours in

Woods, digital experiment. Vivien Blackburn (old work) Last night there was a fascinating programme, David Hockney: Imagine - did anyone else watch it? He has been spending more time in his native Yorkshire and has fallen in love with painting plein air (how sensible! :>) ) and studying the changing light and seasons - exactly what interests me. I found myself agreeing with a lot of the ideas behind the work and thinking 'me too'. He articulates better though! The programme concentrated, after a quick recap on his past work, on where he is now . He was shown working in the landscape in all weathers, faithful assistant setting up easels and canvasses and squeezing paint - oh how I'd like a faithful assistant! He sometimes painted on multiple canvasses, stacked against easels to create one very large image. The largest of these was done for the Tate and is 40 feet long by 15 feet high, made up of 50 canvasses. He couldn't see the whole image until it was hu