looking at non traditional composition and quiet vs busy areas in paintings
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
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annie
Everyone's work was lovely wasn't it Robyn? you did some gorgeous stuff. My students were knocked out with the bowl of fruit you did :>)
Yes it would be good if everyone who took part did this :>)
I'm the lucky one because I saw all of thse IRL.
Sarah we could always do a Watermarks exchange???
i like the idea of making the books in the process yourselves... and of everyone ending up with their books back at theirs, and not lost elsewhere :( - you must be so gutted not to have gotten your other book back, it was such a fantastic piece (i think i was the one who worked in that last?).
yes that other exchange was very annoying :>( - lesson is be careful to only do one with trustworthy people.