the sketchbook exchange - this one is nearly ready to fly


watercolour, fragment of watercolour sketch - Vivien Blackburn

I picked up Glen's book on Friday and have had fun (though it was intimidating after seeing the gorgeous images she'd created) adding to it. These are fragments of what will soon be flying on to Ronell in France :>) I've done 2 pages and just have to do the half page, where the next person - Ronell - can interact with my image.

My book is on its way to Lindsay in America now with Ronell's work added - I'm dying for Lindsay to get it and show what Ronell has done with it :>) I know it's going to be gorgeous!

Once Ronell receives this I will be able to show the whole of the images and the book so far ....



and another fragment from the other page - any idea what it's done with?

I'm thinking it might be good to produce a Blurb book of ALL the images from ALL the books when we've finished - what do you think?

I shall be so sorry to say goodbye to the ones that won't return to me and that would be a lovely way of keeping them all.

.

Comments

Katiejane said…
These are lovely snippets, to be sure. A blog book would be a great idea. Love to see what's next.
10:17 pm
Lindsay said…
I forgot to say over at FPP that the blurb is a good idea!
2:26 am
annie said…
Oh, Yes, Vivien, a BLURB BOOK. Or
SOME kind of collection so we can
each sit down and go through each
one.auxZ
3:47 am
my croft said…
hmm. At least some of it is done with cord. The texture of the middle bit makes me think of dryer lint (a surprisingly popular choice of media in the fiber arts world). It's a lovely tease of color and texture, whatever it is.

I am entranced by the exchange progress (and more than a little envious, these things always make me want to play too).
4:25 am
dinahmow said…
.I think I see string, and what looks like rose hips . A collograph, perhaps? Or wax resist with water colour?
Gee! These snippets are tantalising!
But such fun, especially as I'm coordinating a similar exchange once I have the numbers of committed people.

And, as some will be printmakers, we'll take your add-your-own-paper approach.
8:15 pm
vivien said…
some very perceptive comments there but I'm not answering them until the book arrives with Ronell!!

it's certainly been fun and I'd encourage anyone to join an exchange like this :>)

Lindsay I'm so glad that you and Annie think the blurb book is a good idea :>)
11:40 am
laura said…
I agree--the snippets are tantalizing: the perfect word--makes me want to see more!! The red background is stunning and compelling, and the variety of neutrals and line in the other so elegant.
1:39 am
vivien said…
Laura - thank you!

I'm dying to receive the next book from Glen and carry on

This one is off to the post today
6:57 am
Africantapestry and Myfrenchkitchen said…
I haven't been around for a while and now I only realized how long I have been away...I have missed so much! I am SO anxious for this next book. These snippets look gorgeous and I'll post as soon as I get it...after having devoured it first with my eyes, like your book, which I just didn't want to let go!Hope it'll land in my box soon1
ronell
8:47 pm
vivien said…
it should be there any time now Ronell :>)


I'm dying to get the next one from Glen with 3 peoples work in !
2:09 pm
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more