Make a font from your own handwriting

I finally got round to trying out that programme to make a font of your own handwriting - it's fun. :>)

This is my first attempt and it is quite like my writing - though rather neater!

You can find it here if you want to have a go. It was very straightforward except for putting it into the fonts folder - their installer didn't have an option to find out where on earth it was saved -so in the end I had to do a search for it and then copy and paste it, which worked just fine.

Comments

Robyn Sinclair said…
Yours looks great, Vivien. So great, I decided to try it. Unfortunately there was a small speck after one of the letters so when I installed the font every time I typed that letter it added a space. SO, I did a completely new template - uploaded - downloaded, but it doesn't download a second time, or third or forth time - I don't give up easily :) No second changes, so anyone trying this make sure you get it right the first time.
5:28 pm
dinahmow said…
I actually downloaded this the other day(after you'd linked to Julie's), but I haven't had time time "play" with it.My penmanship has deteriorated so much I think I'll have to cheat! :-)
9:27 pm
vivien said…
it does download again Robyn - just give it a different name - I've done a second one

and if you scan that template into photoshop or a similar programme you can erase any specs or tidy letters up a little by erasing bits that went wrong - I had to! ArtWeaver and ArtRage are free if you don't have photoshop and you could do it with them.

Good luck trying again :>)

Yes Dinah, the font is MUCH tidier than my handwriting which even I look at and wonder what on earth I was saying
10:43 pm
dinahmow said…
Thanks for the advice! Artweaver is also sitting on the "shelf" waiting for me to have time to do it.Dust bunnies - take a number!
2:22 am
Robyn Sinclair said…
You are absolutely right, Vivien. I'm a dill - I did it from scratch again and it worked. Problem is there are two Download buttons on the site and I was clicking the wrong one. Apologies to MyFonts.
8:49 am
Anonymous said…
I've done this too, and discovered how truly uneven my lettering is. But I like the font anyway, because it is more personal. I'm going to give it another go one of these days, cos the ; and " take up a lot of space for some reason. I think your writing looks tidy BTW.
8:49 am
vivien said…
it may look neat-ish there Cath but believe me when I hand write it turns into a terrible scrawl!

Things on a shelf awaiting time to get to grips with it? oh I've got loads of those! and dust bunnies too!
8:02 pm
José Carrilho (Go Detail) said…
Hi,

I have to check this.
Maybe I wouldn't make a neat font, but it would be personal.
Heck ! Maybe it could be recognized as the worst font of all :-)

Kind regards,

José
2:05 am
vivien said…
:>D
5:54 pm
. said…
Oh how utterly cool is that!! :-D
11:41 am
vivien said…
Hi there - it's a great programme!
11:32 am
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more