Artists Christmas Cards


This was the final version of one of my cards.

Below are links to those who designed their own and left links in the comments for me:

Maree had the lovely idea of raising money for an animal charity with one of her card designs.

Jeanette did this lovely and very different card

Billie wondered what would happen if Santa's cat, who was scared of heights, hitched a ride :>)

and then designed another funny one - how many Persian cats have I seen with faces like that!

Gesa produced this elegantly minimalist card

Sarah produced this lovely Advent Calendar that opens a new window each day
and a Winter Solstice card

Ronell produced this delicate arrangement

Maggie made a 3D celebration!


A creative and inventive lot I'm sure you'll agree

Katherine did an interesting round up of free online art cards from various galleries

and don't forget the fun snowflake cutting programme for the child in you at Christmas :>)

if you made your own card and I haven't listed you, just send me a link and I'll add you to the list :>)

Comments

Julie Dunion said…
some very original ideas, all great :-D
7:16 pm
annie said…
Your card is adorable and thanks for including all the others and inviting more. They brighten our lives.
annie
3:43 am
vivien said…
what a lovely surprise!

thanks Katherine :>)

and what a great group of paintings - my vote is for Sarah :>)
6:42 am
Africantapestry and Myfrenchkitchen said…
Thanks for the nod vivien!
I love this card of yours...it is so festive and fun!
Hope you had a good season and enjoyed the precious time with your family..
ronelle
8:50 pm
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more