Exhibtion photos as promised :)

ok - so as promised, the paintings in the gallery, if you are on an email subscription and want to see the pictures you'll need to log in today, sorry - I've done a slide show of the exhibition - you can see it if you click here http://vivienb.blogspot.com/




They decided not to hang them together but to scatter them around the gallery so that they formed a repeating motif. I would have liked some of them hung in a group but never mind.



Colin Halliday was showing square seascapes, there were some nice textile pieces and there were interesting driftwood sculptures, pottery and some gorgeous jewellery, all with a sea theme - they were even playing sea mood music :D

Comments

© Paul Anthony Ramsden 2024 said…
Lovin' the slide show, check mine out at...

http://share-my-art.blogspot.com/

The Solar Disc 2007

Check out my Summer Exhibition 2007 at Dewsbury Town Hall Yorkshire.
8:55 am
Anonymous said…
Totally stunning all the same. But yes, grouped would have been good too. Hope it goes well for you.
12:35 am
Lindsay said…
I think they have done a lovely job hanging the show but I agree with you....your paintings would have a greater impace hung together in groups. Perhaps you can have some of them in another show and do as you wish!
I love the feathers too! Interesting idea of using diferent midia for the same subject!
4:38 pm
vivien said…
thanks Lindsay :)

yes, I'll show the group elsewhere to hang as a group.

I want to do some more to the waterways project as soon as I can.
8:15 pm
Post a Comment

Popular posts from this blog

Hedges silhouetted agains the snow, winter light: watercolour and Derwent tinted charcoal pencils in Stillmand and Birn Beta Hardback sketchbook

Image
 Detail  I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky.   Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook.  This paper is so forgiving and the watercolour works beautifully with it.  It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes.  Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come.   The spiky calligraphic marks of the hedge and the underlying form of the bank, w...
Read more

The Eye, Urban/Rural exhibition

Image
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show.  If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks.  Meet the Arttists day is Saturday 1st April 10-2.  Come and have a chat with us?
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more