goat skull in watercolour and coloured pencil, demo for students
I did this to show students how to work in watercolour without any preliminary drawing, simply drawing with the paint and brush, building up the tones. Working this way is so easily altered, so flexible and fluid, allowing mistakes to be corrected easily in the early stages.
I then added some coloured pencil to sharpen edges and haze glazes of colour in highlights and shadows. I wanted to show how blues added as glazes with watercolour and coloured pencil over the deep shadow colours add depth and coolness to contrast with the warmer highlights, which themselves have a little additional amber warmth added to the ochre underglazes.
Done with college materials: White Knights watercolours and Lyra coloured pencils.
Below is a link to a coloured pencil version I had done in the past - almost the same view, but not quite.
you can see it here.
Which works best?
I need to get back to seascapes and waterways and get on with my own projects now.
Comments
I love drawing bones, they're so fascinating. I think it will be next concentration after the apples are out of my system. I have a variety of bones and skulls in the garden waiting my attention. (that does morbid, doesn't it?) Its moose and caribou bones.
(I think it's the creamy tones, which you get in old bones, that give it the lift.)
Not morbid - just interesting!
Thanks Dinah - yes the creamy versus the cool shadows is lovely
i send rene in holland a sheep skull from wales to paint...
they are great subjects
no it's much more illustrational than the way I work usually isn't it?