a slide show of the digital images with some new ones



If anyone is interested - I'll be uploading these to imagekind over the next few days

Comments

Robyn Sinclair said…
Words fail me, Vivien! My eyes popped with excitement when I saw these. They are absolutely beautiful and I agree they would inspire wonderful watercolours (and of course you are up to it!).
They would also make stunning silk scarves, if I may be so commercial ;)
I have never played with digital images to this extent. It is inspiring. Now all I want to do is take a piece of paper and lay that ORANGE next to that TURQUOISE! BLISS.
7:54 am
vivien said…
Thanks Robyn!

I've only ever had a go at silk painting once - and then the class didn't have silk so it was on cotton! but it's something I really like as the colours glow so beautifully. It would be nice to have a go :)

Try playing - I think you'd love it.

Usually I scan in bits of sketches and paintings and combine and experiment but sometimes I use photographs like here.
2:56 pm
Luciano Bove said…
Good job!
2:17 pm
vivien said…
thank you luciano :)
3:01 pm
sunny said…
Hi Vivien,
Some of your art is really great.
Do you allow to download hiresolution files of some of them at a moderate price?
If yes contact me at: signergyprints@yahoo.co.in

Thanks and regards,
Sunny
5:12 pm
Post a Comment

Popular posts from this blog

Nicola Bayley, illustrator and favourite books for children

Image
The Patchwork Cat written by William Mayne and illustrated by Nicola Bayley Nicola Bayley did the beautiful illustrations for the Mousehole Cat, talked about in an earlier post. I did a search to see what else she had illustrated and ordered this one, The Patchwork Cat. The illustrations are every bit as gorgeous. It tells the tale of Tabby, a 'patchwork' cat who loves her patchwork blanket. When it's thrown away because it's old and dirty she inadvertently lands in the rubbish cart (because she'd crawled in to the bin to sleep on her blanket) and has to try to find her way home - carrying the blanket. Just look how well NB has caught the fear in the face below - she's like Beatrix Potter in being able to show the feelings of an animal whilst still being true to life and not Disney-like. All, luckily, ends happily as , lost and very tired as she drags her blanket, she comes across the milkman who takes her and her patchwork blanket home. Look at that bl...
Read more

paint or sketch trees: challenge

Image
Close up of tree bark, Marqueyssac, France. photo: Vivien Blackburn Another challenge Rather than another update on the seascapes I've decided to run another challenge in response to feedback from the trees post. Feedback from people said they got a lot out of the skies challenge and I'm sure you will out of this one :>) click the image on the left to link to the original post on trees and you can check all posts with the tag 'trees' here The challenge is to produce sketches of trees done from life. These can be: close ups, extreme close ups, whole tree, part of tree, distant views - whatever you want. Style: anything goes - photorealism to impressionism but with underlying observation Medium: your choice, anything goes :>) oil paints, acrylics, watercolours, mixed media, charcoal, graphite, coloured pencils, pen, oil pastels, pastels, pastel pencils ....... etc etc etc Timescale: we'll finish at the end of July and I'll post links to your blogs t...
Read more

looking at non traditional composition and quiet vs busy areas in paintings

Image
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
Read more