looking at non traditional composition and quiet vs busy areas in paintings
Paul Klee I thought I'd look at non-traditional composition - where the rule of thirds isn't the key but the painting relies on different compositional methods. in response to an excellent series of posts on the various ways of looking at composition by Katherine (link at end). These alternative considerations or breaking of rules - but making it work - appeal to me more than too heavy a reliance on the rule of thirds. The painting above, by Paul Klee is a 'field' painting' - the composition is overall, the eye travels around enjoying the glowing colour that he creates by juxtaposing complementary colours, subtle greyed greens enhancing the oranges/reds/pinks. Most of the image is composed of the various greens, greeny browns and khakis, with accents of the warm colours. When working this way it's important that the balance is unequal and that the accent colours are placed carefully to keep the eye moving in the way the artist wants. A couple of the brighter...
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They would also make stunning silk scarves, if I may be so commercial ;)
I have never played with digital images to this extent. It is inspiring. Now all I want to do is take a piece of paper and lay that ORANGE next to that TURQUOISE! BLISS.
I've only ever had a go at silk painting once - and then the class didn't have silk so it was on cotton! but it's something I really like as the colours glow so beautifully. It would be nice to have a go :)
Try playing - I think you'd love it.
Usually I scan in bits of sketches and paintings and combine and experiment but sometimes I use photographs like here.
Some of your art is really great.
Do you allow to download hiresolution files of some of them at a moderate price?
If yes contact me at: signergyprints@yahoo.co.in
Thanks and regards,
Sunny