Paintings Prints and Stuff, a blog about painting, drawing, sketching, sketchbooks, works in progress, artists, exhibitions, art books, art classes, printmaking, digital imagery, techniques, art materials ........... and more!
and another tiny canvas
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Winter Morning, acrylic on deep gallery wrap canvas, 4 inches square, Vivien Blackburn
Another of the series of mini canvasses destined for my Etsy shop. A windy morning with the surf crashing on the sand and pools reflecting the sky.
The sides are painted to match the painting so that framing isn't necessary.
Just been catching up on weeks of your blog! I love the small canvases and it's interesting to see how your style translates to the small scale. I also really enjoyed your still life and comments on it a few posts back. Love the vibrant colours and the looseness of your brushwork which conveys such vitality.
thanks Lindsay - mmm I'm not a limited palette person! As a colourist I like to have a wide range of reds, yellows and blues
... so cobalt, ultramarine, cerulean, indigo, pthalo, plus some other gorgeous ones that 'visit' and sometimes stay as favourites like process cyan in acrylics. And magenta is a must for giving lovely glows to clouds etc Viridian is also a must to tip the blues to that beautiful translucent green you get in Cornish seas.
Thanks Vivien. I knew you liked colors so this give me an idea of what you like to use. Packing for plein air must be painful...tubes left behind due to weight considerations.
actually I seriously don't! I can't stand not to have my range of blues,reds and yellows with a variety of others. I have no talent for travelling light!
so - understandably I love it if I can park near where I'm painting!
My watercolour box that I take isn't too big but holds 24 colours - plus at least half a dozen more I've stuck into the brush section!
and I take not many less tubes if I'm oil painting! I have got the turps/cleaning up down to a minimum though :>)
I confess ......... I am! if you have a wide range of primaries it gives you a huge subtle range of colour mixes with the addition of the earth colours
That mix sounds good - the viridian will keep a glow whilst getting that muddiness - and here sometimes ochre for the sunlit bits were muddy water turns golden colours
Vivien Blackburn's work in the Urban/Rural show We've just hung a group show at the The Eye Project, Urban/Rural show. If you want to come and see it it's on for a month - well worth seeing, 11 lovely artists and some fabulous work. Those large canvasses are 40 inches square. There are rural landscapes, flowerscapes, intriguing textile work including a large knitted building, abstracts .... something for everyone. It's in the gallery below the cafe in the Adult Education Centre at the top of Wellington street, Leicester, opposite Fenwicks. Meet the Arttists day is Saturday 1st April 10-2. Come and have a chat with us?
Detail I have always liked the calligraphic tangle of the hedges when they are sihouetted against the sky. Recent snowfall meant even more opportunities with amazing light and the landscape simplified and hidden by the snow, throwing hedges into relief. Above is a detail of a double page sketch in the lovely Stillman and Birn Beta A4 hardback sketchbook. This paper is so forgiving and the watercolour works beautifully with it. It allowed me to work through wet washes with charcoal pencil - something that tears many papers, leaving holes. Some of the hedge is paint, some tinted charcoal. First snow, more on the way, winter light: silhouetted hedges in watercolour and Derwent tinted charcoal in a Stillman and Birn A4 beta hardback sketchbook The earlier warm golden glow of the low sun is covered by clouds, threatening more snow to come. The spiky calligraphic marks of the hedge and the underlying form of the bank, with some of the taller dried grasses showing
Close up of tree bark, Marqueyssac, France. photo: Vivien Blackburn Another challenge Rather than another update on the seascapes I've decided to run another challenge in response to feedback from the trees post. Feedback from people said they got a lot out of the skies challenge and I'm sure you will out of this one :>) click the image on the left to link to the original post on trees and you can check all posts with the tag 'trees' here The challenge is to produce sketches of trees done from life. These can be: close ups, extreme close ups, whole tree, part of tree, distant views - whatever you want. Style: anything goes - photorealism to impressionism but with underlying observation Medium: your choice, anything goes :>) oil paints, acrylics, watercolours, mixed media, charcoal, graphite, coloured pencils, pen, oil pastels, pastels, pastel pencils ....... etc etc etc Timescale: we'll finish at the end of July and I'll post links to your blogs t
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thanks Lindsay - mmm I'm not a limited palette person! As a colourist I like to have a wide range of reds, yellows and blues
... so cobalt, ultramarine, cerulean, indigo, pthalo, plus some other gorgeous ones that 'visit' and sometimes stay as favourites like process cyan in acrylics. And magenta is a must for giving lovely glows to clouds etc Viridian is also a must to tip the blues to that beautiful translucent green you get in Cornish seas.
NO!
actually I seriously don't! I can't stand not to have my range of blues,reds and yellows with a variety of others. I have no talent for travelling light!
so - understandably I love it if I can park near where I'm painting!
My watercolour box that I take isn't too big but holds 24 colours - plus at least half a dozen more I've stuck into the brush section!
and I take not many less tubes if I'm oil painting! I have got the turps/cleaning up down to a minimum though :>)
I'm going to try a mix of veridian with an ultra and a tad of burnt umber to try for a river color.
That mix sounds good - the viridian will keep a glow whilst getting that muddiness - and here sometimes ochre for the sunlit bits were muddy water turns golden colours